Feeds:
Posts
Comments

Archive for the ‘Calligraphy’ Category

Artist Book by Nita Padamsee

The Warli Painting traditions in Maharashtra are among the finest examples of the folk style paintings. The Warli tribe is one of the largest indigenous tribes of India, living in both mountainous and coastal areas along the MaharashtraGujarat border. It is believed that the Warli carry on a tradition stretching back to 2500 or 3000 BCE. The Warli culture is centered on the concept of Mother Nature and elements of wildlife are often focal points depicted in Warli folk art.

Having been brought up in Mumbai, the capital of Maharashtra, I was exposed to this art since I was a kid. Unfortunately, I didn’t delve into this art form until I took a class last year with Sampada Kodagali Agarwal, who brought back the love I had always felt towards this art form done by the Warli people.

Warli painting is a simple, ancient and an eloquent way to express one’s thoughts and emotions. Only with some simple drawings and the use of two contrasting colors, a lot can be expressed. For this book, I used the brand “Khadi Papers” made in India from cotton, grown in the state of Karnataka. The word “Khadi” means hand-spun cloth, but unlike your average cloth, the word “Khadi” holds a very special place in India’s movement towards freedom and independence.

The flora and fauna of Warli art has always fascinated me, so when I read this paragraph from Katherine May’s book, ‘WINTERING’, I felt I was able to combine my love for calligraphy, lettering and Warli art into this accordion book to tell a story. Just as the author Rilke reverenced winter as the season for tending to the inner garden of the soul, Katherine May writes about “Resilience, the Wisdom of Sadness, and How the Science of Trees Illuminates the Art of Self-Renewal Through Difficult Times. May observes, with life-tested clarity, is the key to wintering — to emerge from the coldest seasons of the soul not only undiminished but revitalized.” 

The excerpt I chose for the accordion book was one in which May draws an analogy between the human experience and trees: “The tree is waiting. It has everything ready. Its fallen leaves are mulching the forest floor, and its roots are drawing up the extra winter moisture, providing a firm anchor against seasonal storms. Its ripe cones and nuts are providing essential food in this scarce time for mice and squirrels, and its bark is hosting hibernating insects and providing a source of nourishment for hungry deer. It is far from dead. It is in fact the life and soul of the wood. It’s just getting on with it quietly. It will not burst into life in the Spring. It will just put on a new coat and face the world again.”

by Nita Padamsee

Take a closer look!

Read Full Post »

Handmade paper and artwork/calligraphy by Kaligrafos Guild member/Dallas /Fort Worth Metroplex

Read Full Post »

Handmade paper and artwork/calligraphy by Kaligrafos Guild member/Dallas /Fort Worth Metroplex

Read Full Post »

Handmade paper and artwork by Kaligrafos Guild member/Dallas /Fort Worth Metroplex

Read Full Post »

Calligraphy and story by Lily Yee-Sloan, 2019

Read Full Post »

img_2249Artwork by Eliz. Simmonds, Black Mountain, North Carolina

Read Full Post »

Jenn_Walt

Artwork by Jenn Waltemath, Omaha, NE

Read Full Post »

MVIMG_20171128_125726~2

Read Full Post »

MVIMG_20171128_125235~2

Read Full Post »

MVIMG_20171128_125120~2

Read Full Post »

MVIMG_20171128_114921~2

Read Full Post »

MVIMG_20171128_114742~2

Read Full Post »

MVIMG_20171128_114618~2

Read Full Post »

MVIMG_20171128_114345~2

Read Full Post »

MVIMG_20171128_114232~2

Read Full Post »

MVIMG_20171128_114107~2

Read Full Post »

IMG_3618

Artwork by Yuko Wada

Read Full Post »

What a delightful surprise to find this beautiful (inside and out) package in my mailbox. Thank you, Tim, for gracing these handmade paper rounds with your creativity and style. They will be a wonderful addition to the Treewhispers “forest”!

Artwork by Timothy R. Botts, Illinois

Read Full Post »

img_0222-1

Artwork by Linda Lanza, North Brunswick, NJ                                                                      (Yasutomo vermillion ink and Fine-tec inka-gold watercolor was used to letter lines from W.S. Merwin’s poem “Place” with a Soennecken 808/7 nib.)
Handmade paper by Stephanie Kulak Sager

Read Full Post »

Advice

img_2245

Artwork by Joyce Teta

Read Full Post »

Older Posts »