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Archive for the ‘Art’ Category

Artwork by JoAnn Pari-Mueller

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Check out an updated edition of the classic Tin Can Papermaking! Recycled for Earth and Art.

This educational book is filled with full color photos, updated text, and a host of new projects including Treewhispers!

Learn how you can recycle wastepaper into beautiful new art, and you how you really can create excellent handmade paper with two tin cans!

Explore papermaking:

-Turn wastepaper into works of art at home or school

-Simple instructions with photos guarantee success

-Keep it eco-friendly with recycled paper cards and gifts to give all year

-Discover the science behind “what” paper is and “why” it can be recycled

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Two years ago, we lost our dear friend and mentor, Christine Colarsurdo, a renowned calligrapher from Portland. At her memorial show, there was a poignant poem she had written and lettered about an oak tree, a fitting tribute given Christine’s love for nature. Her sisters later gave me the artwork. as a remembrance gift since I had planted a native oak tree in my yard. 

Recently I took a class on Text and Texture with Yukimi Annand. Inspired by Christine and the poem, I chose the bark of my oak as my muse, seeking to imitate its patterns and textures in my calligraphy. The resulting piece featured the first and last lines of Christine’s poem, along with oak leaf stamps which were based on similar stamps that Christine made.

Story, photograph and artwork by Marianne Nelson

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Artwork by Joyce Teta, 2016

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Book Arts in the Park

What a fun event at the Cook County Forest preserve!

In addition to exploring nature you can also try your hand at bookbinding, printmaking, collage, papermaking and even book exchanges and giveaways!

Take a hike in the woods and be sure to share your favorite story about a tree!

What is your tree story?

Did you climb trees with your friends to see who could climb the highest? Build a treehouse that was your refuge? Walk through a cool dense forest in the springtime or pluck a ruby red apple off a tree? Did you ever speculate on what kind of a tree we would be? Hmmmm. Oak? Birch? Maple?

On a hot summer evening, did you run to a tree for safe base when you played tag?

What’s your  tree story?

Just as the rings of a tree embody the stories of the tree, so too we carry the stories of trees. These stories inspire us to renew our sense of wonder. They connect us to one another through shared experiences as they deepen our understanding to our connection with nature.

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Indigenous Arts of India

The theme woven through this painting is the interplay between trees and fish, depicted in indigenous traditions of Indian art. In many ancient cultures, trees are acclaimed and adored, but in India, the tree is considered as Purusha and earth as Prakriti. The cosmic entity, Purusha, exists beyond the realms of time and space and combines with Prakriti to form this world of creation. Fish are a symbol of fertility and prosperity, symbolizing wealth and abundance. The presence of fish indicates that all the elements of nature are in harmony.

Madhubani or Mithila 

Madhubani or Mithila painting was traditionally created by the women of various communities in the Mithila region of India in the eastern Indian State of Bihar. Traditionally done on freshly plastered mud walls and floors of huts,  Madhubani paintings are made from the paste of powdered rice, colors extracted from flowers and other natural ingredients. Madhubani paintings use two-dimensional imagery with central themes that are based around nature and Hindu Gods and Goddesses.

Trees depict the various elements of life in complete harmony. Trees, birds, animals are all support systems for each other. A melodious harmony of well formed shapes, bright colored fills and intricate patterns are depicted in Madhubani art.

With changing trends and requirements, these indigenous and tribal art forms are now also done on handmade paper, silk saris, dresses, shawls & pots with acrylic colors and other current day art materials. These arts, though developed in the rural areas centuries ago have experienced a resurgence and are cherished even by the urban elite. Social scenarios are depicted these days using this art style, making it very contemporary. These paintings are very much in demand and the revival of these art forms has helped the artists and their creativity flourish. 

Artwork and story by Nita Padamsee

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 Indigenous Arts of India

The theme woven through this painting is the interplay between trees and fish, depicted in indigenous traditions of Indian art. In many ancient cultures, trees are acclaimed and adored, but in India, the tree is considered as Purusha and earth as Prakriti. The cosmic entity, Purusha, exists beyond the realms of time and space and combines with Prakriti to form this world of creation. Fish are a symbol of fertility and prosperity, symbolizing wealth and abundance. The presence of fish indicates that all the elements of nature are in harmony.

Warli

The Warli tribe is one of the largest in India, located outside the bustling metropolis of Mumbai, in the western Indian State of Maharashtra. Warli art is very near and dear to me since I grew up in Bombay, (which is now called Mumbai) and saw it very often drawn on walls, tree trunks and on cloth. This tribal style of art is thought to date back as early as 10th century A.D. The Warli culture is centered on the concept of Mother Nature and elements of nature are often focal points. Farming is their main way of life and a large source of food for the tribe. They greatly respect nature and wildlife for the resources that they provide. Warli artists use their clay huts as the backdrop for their paintings.

Warli painting is a simple, ancient and an eloquent way to express one’s thoughts and emotions. Only with some simple drawings and the use of two contrasting colors, a lot can be expressed. The Warli only paint with a white pigment made from a mixture of rice flour and water, with gum as a binder. A bamboo stick is chewed at the end to give it the texture of a paintbrush.

With changing trends and requirements, these indigenous and tribal art forms are now also done on handmade paper, silk saris, dresses, shawls & pots with acrylic colors and other current day art materials. These arts, though developed in the rural areas centuries ago have experienced a resurgence and are cherished even by the urban elite. Social scenarios are depicted these days using this art style, making it very contemporary. These paintings are very much in demand and the revival of these art forms has helped the artists and their creativity flourish. 

Artwork and story by Nita Padamsee

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Please note the corrected image.

Treewhispers

 

Indigenous Arts of India

The theme woven through this painting is the interplay between trees and fish, depicted in indigenous traditions of Indian art. In many ancient cultures, trees are acclaimed and adored, but in India, the tree is considered as Purusha and earth as Prakriti. The cosmic entity, Purusha, exists beyond the realms of time and space and combines with Prakriti to form this world of creation. Fish are a symbol offertility and prosperity, symbolizing wealth and abundance. The presence of fish indicates that all the elements of nature are in harmony.

Gond

The Gond tribes primarily live in the central Indian State of Madhya Pradesh. Dating back to more than 1400 years ago, the Gond tribe has painted and carved art on the walls of caves which all belong to the Mesolithic Period. The Gond believe that viewing good images brought in good luck. Their paintings…

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Indigenous Arts of India

The theme woven through this painting is the interplay between trees and fish, depicted in indigenous traditions of Indian art. In many ancient cultures, trees are acclaimed and adored, but in India, the tree is considered as Purusha and earth as Prakriti. The cosmic entity, Purusha, exists beyond the realms of time and space and combines with Prakriti to form this world of creation. Fish are a symbol of fertility and prosperity, symbolizing wealth and abundance. The presence of fish indicates that all the elements of nature are in harmony.

Gond 

The Gond tribes primarily live in the central Indian State of Madhya Pradesh. Dating back to more than 1400 years ago, the Gond tribe has painted and carved art on the walls of caves which all belong to the Mesolithic Period. The Gond believe that viewing good images brought in good luck. Their paintings are also a means to record and pass on historical knowledge and teachings.

The Gond people believe that every element of nature, be it the hills, the sky or the trees, is inhabited by a spirit. Recreating the forms of nature therefore is done with reverence and worship of their sacred essence. Gond paintings take inspiration from the myths and legends of India. A detailed narrative portrays abstract concepts encompassing emotions, dreams, and imaginative constructs. 

The most significant subjects explored and depicted in Gond paintings include birds, animals, and mythical beasts. Since the paintings also derive themes from the daily lives of the people, the Mahua Tree is an important subject. Considered as the Tree of Life, the flowers, fruits, seeds, and leaves from the Mahua tree serve many purposes for the tribe.

With changing trends and requirements, these indigenous and tribal art forms are now also done on handmade paper, silk saris, dresses, shawls & pots with acrylic colors and other current day art materials. These arts, though developed in the rural areas centuries ago have experienced a resurgence and are cherished even by the urban elite. Social scenarios are depicted these days using this art style, making it very contemporary. These paintings are very much in demand and the revival of these art forms has helped the artists and their creativity flourish. 

Artwork and story by Nita Padamsee

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Sue Anne Foster is an artist educator and outspoken advocate of inclusion. She has a BS in Interior Design, MA in art therapy, and a PhD in Education.

A founding member of the international Labyrinth Society, her own 3 redwood trees are models of being rooted and grounded. She likes to touch their bark and hug them, even though her arms don’t reach all the way around. 

Sue Anne brings her world travels home to the community. She has coordinated 7 Tibetan monks demonstrating sand mandalas at the Crocker Art Museum in Sacramento. 

“My round is a circle of life that reflects my heart and cultural interests, with the message ‘hug a tree and another human'”. The backside is an embossed 11th circuit labyrinth, an ancient path of pilgrimage, and is reminiscent of the rings of a tree.

Artwork by Sue Anne Foster, Story by Phawnda Moore

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Sharon Fujimoto-Johnson is a children’s book author-illustrator with two forthcoming titles: The Mochi Makers (2024) and Shell Song (2025). 

Her current interest is in mixed media collages. These three rounds were created with watercolor, pencil, tempera paint stick, ink, embroidery, tissue paper, and cut paper. 

They were inspired by the belief that all people, like the trees, belong on this earth. 

Artwork by Sharon Fujimoto-Johnson, Story by Phawnda Moore


Sharon’s two daughters also contributed:

Lauren, age 9, is interested in art painting, mixed media collage. 

She created this artwork depicting many of the things she loves, including nature and trees, which she loves climbing. On the backside, Lauren wrote a poem about “being you.”

Isla, age 14, enjoys pencil and painting. 

She created this artwork with pencil, marker, and watercolor. She followed the lines and shapes in the handmade paper with pencil and marker and paint then added water to bring out these patterns in the paper. 

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Pam Avery is an abstract painter and ceramist in Sacramento, CA. With an MA in Art Education from California State University Sacramento, she taught high school art for 21 years. 

She exhibits her art in the state fair, galleries, museums, colleges and hospitals, and has been featured on educational broadcasts. 

A dancer, Pam brings a sense of gesture and movement to her paintings. Each one creates a space and world of its own through colors, shapes and textures to excite the senses while remaining light and airy. 

Her round, with a monochrome tree on each side, embraces trees in the delicate drawings.  

Artwork by Pam Avery, Story by Phawnda Moore

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Kimberly Louise Bellissimo-Andersen brings experience as a successful fashion designer to her studio to create unique mixed media art, often with texture. 

“I have always thought that trees are very magical and healing. If you listen, they speak to you. 

My project began with the new AI technology called Dall-E. 

I requested an image of Mother Earth as a Tree. I loved the idea of the Tree encompassing the earth and set out to create such an image with miscellaneous craft items on hand such as string for the trunk and moss for the leaves.”

Kimberly also wrote a beautiful poem for the backside.

Artwork by Kimberly Louise Bellissimo-Andersen, Story by Phawnda Moore

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Karen Keys is a watercolor and pastel artist in Northern California. Her style is representative with a little impressionism. She loves color and enjoys the give and take of painting in two different media. 

Karen’s painted rounds show a collaboration of words and images, one captured her own trees that were affected by the recent storms.

“I have always loved trees. As a kid, I would go to my climbing tree whenever I was distressed and sit up in the tree just chilling. My first poem ever was called Tree. Trees feed my need to connect with nature.”

Artwork by Karen Keys, Story by Phawnda Moore

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Janelle is inspired by nature to explore her interests in painting and handlettering. 

At our gathering, she shared that in Spring when the tulip trees are in bloom, she enjoys visiting familiar trees in the community to admire their annual show. 

From this, Janelle painted a pink bloom and chose a quote about life for one round.

For the other one, she brush lettered an encouraging Bible verse along with a painting of a tree of life.  

Artwork by Janelle, Story by Phawnda Moore

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Eileen Moffatt is currently working in clay with an emphasis on porcelain and making functional pieces highly decorative. She has also worked with paper collage; photography with tone on black and white, hand-developed pictures; and dabbled in welded metal sculpture. 

Eileen used real buttons on one side of her piece, which brought back memories for many at the gathering.

“When I think of trees, I am reminded how every season of their lives is filled with beauty. From the young sapling with first buds to the grand growth of a truly mature tree—each part of the year and each cycle is filled with beauty, always changing and forever expressing. I seek to be like the trees, growing beauty every season.”

Artwork by Eileen Moffatt, Story by Phawnda Moore

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Debra Brown is a pharmacist who’s approaching retirement to pursue creative interests. She’s exploring watercolor, charcoal and drawing and has also dabbled in mixed media collage.

Debra’s interpretive rounds, both excerpts from Mary Oliver poems, are both literal and figurative. She likes poetry that uses the setting of the natural world to speak about living our lives. 

“In one round, I chose to use watercolor as the entrance to the door of the woods. In the Zentangle piece, I let the various patterns interpret how life can change and go in different directions, and still be a beautiful result.”

Mary Oliver’s poems inspire me to connect with the beauty and serenity of nature whenever possible.”

Artwork by Debra Brown, Story by Phawnda Moore

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Connie Burdick works with dry felting in animals, mixed media, using scraps of all kinds, building with coils or slabs of clay for whimsy and practical uses, drawing and watercolor. 

She painted a lighthearted tree and included some interesting facts about trees on the other side of her piece.

“I love trees and the bounty they provide to both humans and wildlife. In His wisdom, God has provided us with earth, water, plants, and wildlife. Trees play an integral part of our life on this planet. We need to be kinder to nature and to each other if we are to continue to survive. Meeting the other women filled my heart with much hope for the future of mankind and our world.”

Artwork by Connie Burdick, Story by Phawnda Moore

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Anne Bradley is an art consultant, exhibit judge, and instructor in Northern California. She has been the featured artist at the KVIE Art Auction and has won numerous awards for her innovative paintings and sculpture for over 30 years.

An adventurous and creative spirit, she’s attracted to welding and casting bronze and aluminum, not only as sculpture but also with her abstract painting 

Anne’s collage and mixed media art inspires people to take another look at familiar, often organic objects around them and see them in a different light.

Artwork by Anne Bradley, Story by Phawnda Moore

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Adriana is finally listening and tending to the voice of the artist deep within that’s been trying to get her attention for years. She’s taking classes in many types of media and particularly enjoys collage for the excitement of repurposing existing images to enhance each other ~ ultimately creating something beautiful and entirely new. Examples shown are her postage stamp spiral design, a nostalgic collage and poem, and stitchery.

Adriana has had a love for trees ever since childhood, when climbing to the top of a ginkgo tree was her “happy place”. Now, she finds both magic and comfort when amongst a grove of redwoods or bristlecone pines, where time simply evaporates.

Artwork by Adriana, Story by Phawnda Moore

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